4K delivery is now the norm, not the exception, with UHD and 8K not far behind.Īs software has become more accessible, it has impacted the services and differentiation that clients can offer. This in turn has moved ad budgets from the seasonal viewing spectacles of the past to not just delivering to air but to an ever increasing number of social and online platforms all with different technical specifications.Īs anyone who binge-watches shows online knows, the industry has changed and so in turn have the technical standards that clients are expected to deliver to. Traditional viewing has moved from traditional broadcast/cable/terrestrial vendors to online. But now, with lower ad revenue, huge episodic features, more places to deliver content, and independent producers distributing online, there is practically no such thing as a “season” anymore – it all has to be done, now. The rise of the Streaming (OTT) vendors and meeting their requirementsįilms, TV episodes and commercial spots used to be created on a predictable pace that could be planned out seasonally. Artists need to efficiently capture their clients attention and get approvals, in a time sensitive environment to stay on deadline and budget. It is no longer acceptable to not be able to touch color whilst in a VFX session.
The Flame Family has been trusted by the best artists for over 25 years for 2D/3D, Compositing, Editing, Keying, Tracking, and Color.Īs Flame artists clients expectations evolve and become more demanding, artists need to be able to adjust and modify color/grades whilst in their projects, shot to shot. Flame 2020 is here, with new exciting features solving industry challenges! Check out the link to know more about updates on creative tools, productivity and licensing.Ĭlick image to watch "Whats new in Flame 2020" short video by Autodeskįlame® 2020 contains a new machine learning-powered feature set along with a host of new capabilities bringing Flame artists significant creative flexibility and performance boosts.
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